|
|
Curious camera through the eyes of its producers
Moulíková, Dominika ; Bednařík, Petr (advisor) ; Štoll, Martin (referee)
The thesis explores certain aspects of Zvědavá kamera, a Czechoslovak television journal that belonged among the most progressive pieces of Czechoslovak television journalism in 60-ties. The thesis is based on interviews with 3 of the still living makers of the journal: Otka Bednářová, Vladimír Branislav, and Jaromír Kincl. Based on their testimony, contemporary documents, and available television archive material the main question is being answered as to why Zvědavá kamera was allowed to exist for such a long time despite being politically controversial and why the makers did not face repression much earlier. The most substantial episodes of the journal are being explored in detail, among all Volba povolání (The Choice of Profession) by Otka Bednářová, Spor (Dispute) and Porota (Jury) by Vladimír Branislav and Jaromír Kincl. Based on the presented facts approaches are analyzed the makers took in order to make relatively free television journalism possible within the limits imposed on them by the totalitarian regime.
|
|
|
Otka Bednářová and her publishing activity in 1960'
Cukrová, Nela ; Bednařík, Petr (advisor) ; Štoll, Martin (referee)
This master's thesis focuses on the journalistic activity of Otka Bednářová in Czechoslovak Television in the 1960s. Its aim is mapping the activity of the editor in the stated period. Otka Bednářová was one of the first women which started using investigative element. It was new in the Czechoslovak Journalism. The work is divided into two parts. In the first part the reader learns about the life of Otka Bednářová before and after her work in Czechoslovak Television. The second part is the most comprehensive and includes brief information about the history of Czechoslovak Television and about the origin of Television Journalism in this period in Prague, Ostrava and Brno. There is also a history of the broadcast "Zvědavá kamera" including its authors. The author of the work presents individual pieces of work where Otka Bednářová collaborated. The author of the thesis dedicates to the style of Otka Bednářová's work, to the topics she was choosing and to her working procedure in the processing of individual programs. It is based mainly on preserved pieces in the Czech Archive Television as well as on the available scripts. During processing current feedback in periodicals, the author used the home archive of Otka Bednářová where she stored clippings from newspaper articles which were published about...
|
|
|
Operation Neptun - the turning point in perceiving the Czechoslovak television as communistic instrument of propaganda
Červená, Adéla ; Železný, Jakub (advisor) ; Suk, Pavel (referee)
- version - Adéla Červená This bachelor thesis focuses on the ground-breaking importance of the Operace Neptun in the perception of the media impact of Czechoslovak Television (ČST) by the communist regimes. Until this moment, this Operation is the only known case of the misuse of ČST before year 1968 as a tool of the contemporary propaganda and spreading of disinformation. The Czechoslovak intelligence has taken the advantage of the shooting of the show Zvědavá kamera from 1964 on the topic of the secrets of the Šumava lakes. In advance of the arrival of the publicists, they have placed boxes of allegedly Nazi documents on the bottom of the Černé jezero. The highlight of the Operation was the press conference led by the Interior Minister Lubomír Štrougal in September 1964. Would the lead actor of the Operation, Ladislav Bittman, not have emigrated, the truth would have potentially never been revealed. After the period of the Prague spring, with the rise of the normalization, the abuse of ČST as the transmitter of the current propaganda became a common practice. This work focuses on two shows of the given era - Causa Jan Masaryk and Svědectví od Seiny. The communist regime used these shows to settle the accounts with chosen representatives of the Prague spring and painted their own version of the...
|
|
|
Otka Bednářová and her publishing activity in 1960'
Fabiánová, Nela ; Bednařík, Petr (advisor) ; Štoll, Martin (referee)
This master's thesis focuses on the journalistic activity of Otka Bednářová in Czechoslovak Television in the 1960s. Its aim is mapping the activity of the editor in the stated period. Otka Bednářová was one of the first women which started using investigative element. It was new in the Czechoslovak Journalism. The work is divided into two parts. In the first part the reader learns about the life of Otka Bednářová before and after her work in Czechoslovak Television. The second part is the most comprehensive and includes brief information about the history of Czechoslovak Television and about the origin of Television Journalism in this period in Prague, Ostrava and Brno. There is also a history of the broadcast "Zvědavá kamera" including its authors. The author of the work presents individual pieces of work where Otka Bednářová collaborated. The author of the thesis dedicates to the style of Otka Bednářová's work, to the topics she was choosing and to her working procedure in the processing of individual programs. It is based mainly on preserved pieces in the Czech Archive Television as well as on the available scripts. During processing current feedback in periodicals, the author used the home archive of Otka Bednářová where she stored clippings from newspaper articles which were published about...
|
|
|
Curious camera through the eyes of its producers
Moulíková, Dominika ; Bednařík, Petr (advisor) ; Štoll, Martin (referee)
The thesis explores certain aspects of Zvědavá kamera, a Czechoslovak television journal that belonged among the most progressive pieces of Czechoslovak television journalism in 60-ties. The thesis is based on interviews with 3 of the still living makers of the journal: Otka Bednářová, Vladimír Branislav, and Jaromír Kincl. Based on their testimony, contemporary documents, and available television archive material the main question is being answered as to why Zvědavá kamera was allowed to exist for such a long time despite being politically controversial and why the makers did not face repression much earlier. The most substantial episodes of the journal are being explored in detail, among all Volba povolání (The Choice of Profession) by Otka Bednářová, Spor (Dispute) and Porota (Jury) by Vladimír Branislav and Jaromír Kincl. Based on the presented facts approaches are analyzed the makers took in order to make relatively free television journalism possible within the limits imposed on them by the totalitarian regime.
|
guest ::
